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He does not see Mona until he is within a yard of her, a thick bush standing between him and her. Being always a creature of impulse, she has stood still on seeing him, and is lost in wonder as to who he can be. One hand is lifting up her gown, the other is holding together the large soft white fleecy shawl that covers her shoulders, and is therefore necessarily laid upon her breast. Her attitude is as picturesque as it is adorable.,A very charming vision clad in Oxford shirting, and with a great white hat tied beneath her rounded chin with blue ribbons,—something in the style of a Sir Joshua Reynolds,—emerges from among the low-lying firs at this moment. Having watched the (seemingly) light catastrophe from afar, and being apparently amused by it, she now gives way to unmistakable mirth and laughs aloud. When Mona laughs, she does it with all her heart, the correct method of suppressing all emotion, be it of joy or sorrow,—regarding it as a recreation permitted only to the vulgar,—being as yet unlearned by her. Therefore her expression of merriment rings gayly and unchecked through the old wood.,At this Mr. Rodney moves a shade closer to her.,No sun upon an Easter day,"Then why did you choose that song?",When morning came he rose and wandered away, and whenever he met any of the animals he asked if they could tell him where the Thunder lived. The animals laughed, and most of them would not answer.,"But what was the subject of it?","'Is thy servant a dog, that he should do this thing?'" quotes Mr. Rodney; and, Mona having got into her shoes, she tells him he is at liberty to follow her across the rustic bridge lower down, that leads from the wood into Mangle Farm.,He handles the gun again menacingly. Mona, though still apparently calm, whitens perceptibly beneath the cold penetrating rays of the "pale-faced moon" that up above in "heaven's ebon vault, studded with stars unutterably bright," looks down upon her perhaps with love and pity.,Then some one puts on her again the coat she had taken off such a short time since, and some one else puts on her sealskin cap and twists her black lace round her white throat, and then she turns to go on her sad mission. All their joy is turned to mourning, their laughter to tears.,To her it is an awful moment. Never before has she stood face to face with dissolution, to wait for the snapping of the chain,—the breaking of the bowl. "Neither the sun nor death," says La Rochefoucauld, "can be looked at steadily;" and now "Death's thousand doors stand open" to receive this man that but an hour agone was full of life as she is now. His pulses throbbed, his blood coursed lightly through his veins, the grave seemed a far-off destination; yet here he lies, smitten to the earth, beaten down and trodden under, with nothing further to anticipate but the last change of all.,"Oh—well—don't," interrupts Mrs. Geoffrey, hastily..